I am a co-founder and editor of the “slow film magazine” Pontón, but also write for other outlets as a freelancer. In 2018 I was selected for FIPRESCI Warsaw Critics Project at Warsaw Film Festival.

Selected writing:

Interviews

Manuel Correa on The Shape of Now (en) – desistfilm, 2020
Denis Côté on A Skin So Soft (en) – Senses of Cinema, 2018
Jana Dudková on Zmena bez zmeny (sk) – Kinečko, 2022
Johannes Gierlinger on Generations of Images and Every Epoch Dreams the Next (cz) – Dok.revue 2025
Robert Greene on Bisbee ‘17 (en / sk) – Kinečko, 2019
Mischa Hedinger on African Mirror (en) – KinoScope, 2020
Kim Knowles on Experimental Film and Photochemical Practices (sk / en) – Kino ikon 1/2021 / desistfilm, 2021
Alison O’Daniel on The Tuba Thieves (en / sk) – Pontón, 2024
Andrea Průchová Hrůzová on V zajetí obrazů. Vizuální politika 21. století (sk) – Pontón, 2025
Alex Ross Perry (cz) – Cinepur, 2017
João Pedro Rodrigues (en) – Senses of Cinema, 2020
Jaime Rosales (en) – Senses of Cinema, 2017
Piotr Stasik on Opera About Poland (sk) – Kinečko, 2018
Klára Tasovská on Nothing Like Before (sk) – Kinečko, 2018

Bit longer texts

Julie Dash, mostly on Daughters of the Dust (sk) – Kinečko, 2021
Dominic Gagnon (cz) – Dok.revue, 2017
Alain Gomis, mostly on Today and Félicité (en / sk) – Kinečko, 2018
Patricio Guzmán, on The Battle of Chile (sk) – Kapitál, 2021
Saodat Ismailova (sk) – Film a doba, 3/2023
Penny Lane (sk) – Kinečko, 2020
Emmanuel Lefrant, Bill Morrison & Schmelzdahin (sk) – Kapitál, 2021
Thomas Østbye (sk) – Kinečko, 2017
György Pálfi, on Final Cut: Ladies and Gentlemen (sk) – Kino ikon 2/2012
Christian Petzold, mostly on Barbara, Phoenix, and Transit (sk) – Kinečko, 2019
Charlie Prodger (sk) – Pontón, 2024
Apichatpong Weerasethakul (sk) – Kino ikon 2/2011

Bit shorter texts

Theo Anthony, on All Light, Everywhere (sk) – 3/4, 2021
Claire Denis, on High Life (sk) – Film.sk, 2019
Paz Encina, mostly on Memory Exercises (sk) – Kinečko, 2021
Chloé Galibert-Laîné & Kevin B. Lee, on Bottled Songs (sk) – 3/4, 2020
Ane Hjort Guttu, on Manifesto (en) – Ultra Dogme, 2021
Edgar Honetschläger, on Los Feliz (sk) – Kinečko, 2018
Victor Kossakovsky, on Gunda (sk) – Kinečko, 2021
Marek Kuboš, on The Last Self-Portrait (sk) – Kapitál, 2018
Metahaven, on Possessed (sk) – 3/4, 2018
Norman Leto, on Photon (sk) – Kinečko, 2018
Göran Hugo Olsson, on Black Power Mixtape 1967 – 1975 and Concerning Violence (sk) – Kinečko, 2020
Arnaud des Pallières (sk) – Kinečko, 2019
Julian Radlmaier, mostly on Self-Criticism of a Bourgeois Dog (sk) – Kinečko, 2018
Peter Strickland, on The Duke of Burgundy (sk) – Film.sk, 2015

Festivals & exhibitions

25 FPS Zagreb 2025 (sk) – Pontón, 2025
Harun Farocki: Shaping of our Present @ A Promise of Kneropy (sk) – Kinečko, 2022
Venice Biennale 2019 (sk) – Kinečko, 2019
Vienna Shorts 2018 (sk) – Kinečko, 2018

On books

Jana Dudková, Zmena bez zmeny (sk) – Kinečko, 2022
Lars Henrik Gass, Film and Art After Cinema (sk) – Kinečko, 2019
Kenneth Goldsmith, Duchamp Is My Lawyer (en / sk) – 3/4, 2020
Jennifer Fay, Inhospitable World: Cinema in the Time of the Anthropocene (sk) – 3/4, 2021
Kim Knowles, Experimental Film and Photochemical Practices (sk / en) – Kino ikon 1/2021 / desistfilm, 2021
Gordon Parks, The Atmosphere of Crime, 1957 (sk) – Kinečko, 2020
Andrea Průchová Hrůzová, V zajetí obrazů. Vizuální politika 21. století (sk) – Pontón, 2025
Stanley Schtinter, Last Movies (sk) – Pontón, 2025

Institutional critique & op-eds

Slovenské filmové festivaly [Slovak Film Festivals] (sk) – Film.sk, 2015
O cenách, programovaní a vkuse [On awards, programming, and taste] (sk) – Kinečko, 2018
Výzva ku kolektívnosti [A call for collectivity] (sk) – Slovenský film v roku 2020, 2021
Film festivals as global brands / Filmové festivaly ako globálne značky (en / sk) – Kinečko, 2022
Čo nám hovorí anketa o najlepších filmoch všetkých čias [on Sight & Sound poll] (sk) – Kapitál, 2023

Research

Dialógy o Monológoch [on censorship in 1960s] (sk) – Kino ikon 1/2014
Návrh na usporiadanie MFF Vysoké Tatry (1967) [on idea of moving Karlovy Vary IFF to High Tatras region] (sk) – Kino ikon 2/2014

Editor

Kino ikon 2/2018 – Film festivals (guest editor)
including papers by Andrea Slováková, Martin Kaňuch, and essays by Mark Cousins, James Lattimer, Mads B. Mikkelsen, Carmen Gray, Daniel Ebner, Herb Shellenberger, Reinhard W. Wolf, Jakub Felcman, Radka Hoffmanová, Kristína Aschenbrennerová

Film Festival 4 živly – catalogues 2016, 2017, 2018, 2019
include commissioned thematic essays & essays on films in program

Lists

Greatest Films of All Time (en) – Sight and Sound, 2022
Year 2022 (en) – desistfilm, 2022
Year 2021 (en) – desistfilm, 2021
Year 2020 (en) – desistfilm, 2020